The Horror Writers Association has announced the final ballot for the 2014 Bram Stoker Awards®. We at Nameless Digest are absolutely thrilled to see our own Cycatrix Press anthology, A Darke Phantastique, among many other fine contenders, as well as editor Jason V Brock’s nonfiction book, Disorders of Magnitude (Rowman & Littlefield), and managing editor S. T. Joshi’s Lovecraft and… Continue reading Final Ballot Announced for 2015 Bram Stoker Awards®
The Horror Writers Association has announced the preliminary ballot for the 2014 Bram Stoker Awards®. We at Nameless Digest are proud to see our own Cycatrix Press anthology, A Darke Phantastique, among many other fine contenders, as well as editor Jason V Brock’s nonfiction book, Disorders of Magnitude (Rowman & Littlefield), and managing editor S. T. Joshi’s Lovecraft… Continue reading Preliminary Ballot Announced for the 2014 Bram Stoker Awards®
Stephanie M. Wytovich
Raw Dog Screaming Press, 2014. $12.95
Stephanie Wytovich is quickly becoming a favorite in dark poetry, and for good reason. This is a strong collection and even at 118 pages has not much wasted space. These aren’t trunk poems.
She creates a different world and mood within each piece and her ideas are touching, beautiful, and darkly romantic. Thematically, her verses and prose poems deal with death, but also with the macabre coping mechanisms of her twisted but relatable characters.
Many moments are pure eroticism, such as in “Succubus”:
Her heart kisses his soul goodbye,
but not before it bathes in the waters of lust. She licks at his lips,
tonguing at the growing desire brooding in an
unconscious mind as he gives himself
over to her—an unwilling participant in
love’s final soliloquy.
Wytovich knows how to empty her soul onto the page. She taps into the feelings and thoughts that we harbor secretly, shamefully, delightfully, and tenderly.
This is the best poetry collection I’ve read this year.
The Monstrance by Bryan D. Dietrich
ISBN: 978-1-926912-97-4 $10.99; 132pgs; August, 2012 Needfire Poetry
The Monstrance by Bryan D. Dietrich is the lightning bolt that gave life to Frankenstein’s monster. It is the storm that rode through the sky-cracking thunder and spurting rain- and the madness than ran through Victor as he waltzed the steps of a scientific breakthrough. This collection of poetry gives breath to the creatures that run from the torches, a voice to the damned that speak without tongues, and a heartbeat to the corpses that walk the cobblestone streets looking for their lost loves. Dietrich weaves the lyricism of perspective through the eyes of monsters as readers are reintroduced to the stories we grew up thinking we knew. Like the doctor himself, Dietrich makes incisions to old tales and resurrects new life through adaptations and outlooks that had yet to be explored. His words are sublime as they take on the nostalgia of the old and the reverence of the new, but it is his uncanny ability to relate to the monsters and feel their pain and confusion that make the words bleed off the page. Each piece is an awakening. It is a lesson, a kiss, and a teardrop. The Monstrance collects the other side of the story and reiterates that not everything is what it seems to be at first glance. Dietrich shows us that love can be found in death, that it can be created from spare parts and shoved out into the world without first being taught how to walk, how to speak, how to feel. It becomes easy to allow oneself to be swept up in the abandonment, the curiosity, and the stark realization that the world isn’t divided by black and white, but rather swimming in shades of gray. But it is in that subtle mist that truth and acceptance run like banshees through the woods. It is in that fog that the creatures take off their masks and reveal who they truly are. As both a poet and a fan of classic horror, I found myself consumed by the raw unearthing of human emotion. The narrator does not once cheat his readers of his opinion, and when he gives a glimpse into his life, no matter how wonderful or how awful it may be, he holds our hand and shows us the way. Because of this, Dietrich’s poems are like dark shades of light. They are mixtures of good and bad, of accuracy and farce, and they flee from stereotypes much like the monster from the flame. With a combined style of literary and genre, The Monstrance questions as much as it answers. It covers as much as it reveals and like the ability to bring the dead back to life, it frightens as much as it excites. Each piece is a story. It is a memory, a fable, and memoir. It is told from the lips of a child, an adult, and a lover. And it is felt by all. —Stephanie M. Wytovich
Ladies and Other Vicious Creatures by Donna Lynch $10.00; 51 pgs; May, 2010 Raw Dog Screaming Press Every writer encounters their muse at one point or another in their career, and more often than not, it’s a muse that he or she didn’t know existed. The muse is said to be the… Continue reading POETRY REVIEW – Ladies and Other Vicious Creatures