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We can always use more literary writers in comics to join the elite company of Moore, Gaiman, Milligan, Carey and others.
Illustrated in respectful classic horror comic fashion by the incredibly detailed artwork of Santiperez.
The novella is preceded by liner notes from The Yellow King’s unreleased album, The Final Reconciliation. Chapter titles correspond to the Track Listings of the album. The fourth chapter, entitled Track 4: The Usurper’s Ascent, also represents the point at which listeners of the sole live performance of the album begin to fall under the supernatural influence of the music.
As a final way to differentiate his work from others in the genre, Woodrow wraps it up with a positive message of hope rather than the standard downward spiral horror tropes.